The Human Scale of Love
Football is holographic. Epic, it is a colossal, complex sign through which the entire human realm can be understood. It is—as a noumenal and phenomenal entity—a manifestation of an empire of significations. Its dramatic dynamic is unfair, heroic, and redemptive in a single catharsis, and proves that everything human beings have conceived is totally complementary and polysemic. It is the primary spectrum that overturns the need for refutation—the old model of superseding one thesis with another—and un-lasts even as it endures, cascading life itself. At every moment, it dialectically reinstates the rupture through an anti-dialectical move, which begins with what is not, and yet advances in its synthesis via the reverse of each movement; opposing forces, while embracing reality, occupy one another's spot in space. It denies itself until it reaches the fateful instant that proves its discontinuity—simultaneously defying all the laws of the universe—to deliver glory or tragedy in one final, infinitesimal, and immeasurable miracle. Whether a goal is scored on a rutted, muddy pitch without floodlights or in the most pristine, high-tech, and advanced field setting, it must always accept its tragic fate, and this will never change, because the fundamental quality of football itself will never change either: the fact that it cannot be exact, since it relies precisely on the suspension and evasion of an unbearable emergence of errors, rooted only in fleeting insights, instincts, and intuitions. Its soul mirrors the very vived spirit, animated by an ancient element that is utterly erratic—the ball—and is not merely carried along by inertia, devoid of will, but which, astonishingly, seems to possess a breath of its own, one that will be mischievously and eternally unpredictable.